The development of culture in modern Russia after the collapse of the USSR: how to preserve core values against the backdrop of general commercialization.




The beginning of the program.
The plot: Moscow.
Selling magazines on the street.
The Acropolis of Athens in Greece.
Mills along the river.
Pigeons in the square of a European city.
An artist sketches the Louvre building in Paris.
The Colosseum building.
St.
Peter's Basilica in Rome.
Cities of Italy and France.
The Eiffel Tower.
Moscow.
Selling from hands.
A "no entry" road sign prohibiting automobile traffic.
The consequences of military conflicts in the Caucasus region.
A mosaic on a building depicting Vladimir Lenin.
The building of the A.S. Pushkin Museum of Fine Arts.
Reconstruction of the square in front of the Tretyakov Gallery.
A queue for bread in a store.
Russian souvenirs: nesting dolls, a balalaika, a nesting doll with an image of M. Gorbachev.
Studio: The program participants determine what the concept of culture includes, how it changed before and after perestroika, what influence the collapse of the USSR and the formation of new independent states, the united CIS, had on all spheres of creativity.
The issues of cultural development in modern Russia are raised.
The problem of redistribution of works of art in museums is discussed: Ukraine has demanded that all cultural and artistic objects that it considers its national and cultural heritage be returned to it from Russian museums.
The issue of developing a concept for commercialization of modern culture is considered.
Shkurko Alexander - representative of the Russian Ministry of Culture. Denisov Edison - composer. Starodubov Sergey - executive director of the International Art Exchange. Stepovyk Dmitry - chairman of the committee on the work of museums of the Ministry of Culture of Ukraine (liaison with the studio in Kyiv). Tsypko Alexander - political scientist.
02.05.1992