Sniper Chekhov is alive! (1964)

Views of Volgograd streets.

Panorama of a half-ruined mill building and a new residential area.

A file of the newspaper "To Defeat the Enemy!".

Covers of the books "Through Chekhov's Eyes", "Battle for the Volga", "13th Guards".

Photographs of sniper Anatoly Chekhov in a Red Army uniform.

A file of the newspaper "To Defeat the Enemy!".

Frontline photographs of A. Chekhov.

Newsreel from 1942: sniper Chekhov in position on the top floor of a half-ruined Stalingrad house.

The destruction of another Nazi.

Chekhov cocks the bolt of a sniper rifle.

Monument to the Liberator Soldier in Treptower Park in Berlin.

Monuments at the mass graves of Soviet soldiers.

Flowers at the foot of one of the monuments. hands on the keyboard of a typewriter.

Chekhov's face.

The cover of an archival file.

An archive employee removes files from a box in a storage facility.

A hand leafs through documents in a file.

A serviceman in the archive reading room.

A photograph of the sniper Chekhov in position. A. Chekhov, a welder at the Kazan Electromechanical Plant, at work.

Chekhov among his co-workers.

The face of one of the workers.

Chekhov's face.

Chekhov out for a walk.

A view of a street in Kazan.

Chekhov's hands removing a letter from an envelope.

Chekhov's face reading a letter.

Photographs of buildings and streets in Volgograd sent to Chekhov.

Newsreel from 1942: views of burning Stalingrad.

Street fighting in the city.

Panorama of burning and destroyed Stalingrad.

Red Army soldiers attack on the banks of the Volga.

Photographs of modern Volgograd in Chekhov's hands.

Chekhov's face.

Chekhov stands on the banks of the Volga.

Spring landscapes.

Ice drift on the Volga.

Summer Volga landscapes.

Panorama of part of the embankment in Volgograd, passenger ships at the berth.

Chekhov looks at the city, standing on the embankment.

Chekhov walks along the bank of the Volga, an inscription on the wall of a building in honor of the heroes of the Rodimtsev division.

Chekhov's face.

Chekhov stands by a pile of rusty reinforcement and construction waste left over from the war.

Chekhov's face.

A dilapidated dugout preserved on the bank of the Volga.

The interior of the dugout.

A punctured rusty barrel.

Chekhov talks to a woman.

Ruins of the dugout.

Newsreel: views and panoramas of destroyed Stalingrad.

Refugees walk down the street.

A call to beat the fascists on the wall of a house.

Views of the wall of a building damaged by shell fragments during the Battle of Stalingrad and left as a monument.

Chekhov talks about the battles in Stalingrad.

Chekhov examines the surviving ruins and places where he fought.

Views of Volgograd from Mamayev Kurgan.

Chekhov walks through a young forest at an altitude of 102. Chekhov's face.

A German cartridge case in Chekhov's hand, picked up by him on the ground.

Chekhov at the mass graves on Mamayev Kurgan.

Chekhov's face.

Chekhov tells young soldiers about the battles in Stalingrad.

Faces of soldiers.

Sculptures of the defenders of Stalingrad on Mamayev Kurgan, fragments of the sculptures.

Chekhov's face.

Fragments of the bas-relief of one of the sculptural compositions.

Newsreel: Soviet troops fight on the streets of Stalingrad.

Fragment of the bas-relief.

Chekhov's face.

A wreath at the foot of one of the monuments.

View of one of the monuments.

The sign of the Volgograd State Defense Museum.

Museum exhibits, visitors' faces.

A painting depicting an episode from the Battle of Stalingrad, captured German standards under the painting.

Chekhov examines an anti-aircraft gun in one of the museum's halls.

Visitors' faces.

Photographs of combat episodes from the Battle of Stalingrad on the wall of the hall.

Chekhov's face.

A photograph of Chekhov in a combat position hanging on the wall of the museum hall.

Chekhov's face alternates with newsreels and his photograph.

Chekhov among museum visitors.

Chekhov meeting his comrade-in-arms Ivan Afanasyev at the museum's directorate.

The faces of Chekhov and Afanasyev.

Chekhov and Afanasyev stroll along the streets of Volgograd, inspecting the city.

The faces of Chekhov and Afanasyev.

Chekhov and Afanasyev enter the entrance to the restored Pavlov House.

Former front-line soldiers climb the stairs to the attic.

People on the streets of Volgograd.

Children playing at the foot of the monument, children's faces.

Chekhov and Afanasyev talking to children.

Children's and Chekhov's faces.

Chekhov picks up the boy, hugs him, puts him on his feet.

Chekhov's and Afanasyev's faces.

Hands on the keyboard of a typewriter.

Afanasyev's face.