Newsreel 1955: A working moment during the filming of the movie "Othello": I. Skobtseva as Desdemona, S. Bondarchuk as Othello.

Camera operator E. Andrikanis stands at the camera – ed.

Director S. Yutkevich at the camera – ed.

Fragments from the movie "

Othello": a conversation between Othello and Desdemona on the seashore;

Othello by the sea after the murder of Desdemona;

the scene of Iago's exposure (A. Popov as Iago). S. Bondarchuk as Othello – ed. S. Bondarchuk's dacha – general. S. Bondarchuk walks through deep snow, rakes away a snowdrift, clears snow from a sculpture – general, ed. I. Skobtseva walks through the snow, falls into a snowdrift. S. Bondarchuk laughs, helps I. Skobtseva get out of a snowdrift - cf.

Sculpture in the snow – ed. S. Bondarchuk films with a narrow-film camera at his summer cottage.

Working moments during the filming of the movie "I Saw the Birth of a New World".

Panorama from S. Bondarchuk to actors F. Nero and S. Rome rehearsing a scene. S. Bondarchuk talks to F. Nero – cf.

Actress S. Rome – ed. S. Bondarchuk during the filming of the movie.

Photograph of S. Bondarchuk and M. Sholokhov - ed.

Landscape – general.

Newsreel from 1959: Fragments from the movie "The Fate of a Man" (in the role of Sokolov - S. Bondarchuk): Sokolov's monologue (synchronously); captivity; Sokolov's conversation with Vanya in the truck (synchronously).

Newsreel 1969-1970: Working moments during the filming of the film "Waterloo" - soldiers marching along the road, cavalry galloping – Wed, general.

Italian cameraman Cannuzi at the camera. S. Bondarchuk talking with the American actor R. Steiger, who played Napoleon – kr, Wed. S. Bondarchuk talking with the cameraman – kr.

Fragments from the film "Waterloo": Napoleon's conversation with the generals (synchronously); battle scenes (synchronously).

Working moments of the filming of the movie "I Saw the Birth of a New World": the camera mounted on a dolly is moving; S. Bondarchuk is speaking into a megaphone.

A battle scene - soldiers are carrying the dead and wounded. S. Bondarchuk and cameraman V. Yusov are watching. S. Bondarchuk and V. Yusov in the Tauride Palace during a rehearsal of the scene of V. I. Lenin's speech (the role of Lenin is played by the actor A. Ustyuzhaninov). S. Bondarchuk is watching the rehearsal, gesturing.

A moment of the rehearsal - V. I. Lenin is speaking (synchronously). V. Yusov is watching - kr. V. Yusov and S. Bondarchuk are discussing filming moments - wed, kr. S. Bondarchuk is walking through the hall of the Tauride Palace, talking to a consultant - kr. S. Bondarchuk and the second director of the film are watching a rehearsal of a scene from the film.

Rehearsal moments: a workers’ demonstration, the demonstration being shot at. I. Skobtseva in the dressing room talking to graduating students from S. Bondarchuk’s acting workshop.

Panorama of the figures of soldiers in the uniforms of 1812. S. Bondarchuk at home in his office leafing through an album - ed.

Newsreel from the 1950s - Young S. Bondarchuk - ed.

Photograph of actress L. Savelyeva as Natasha Rostova.

Newsreel from 1965-1968: Working moments during the filming of the movie "War and Peace" - S. Bondarchuk talking to actress L. Savelyeva (Natasha Rostova); make-up artist applying make-up to the actor; I. Skobtseva as Helen. S. Bondarchuk rehearsing with an actor.

Cameraman A. Petritsky at the camera. S. Bondarchuk – kr.

Rehearsal of the ball scene.

The cameraman on roller skates is filming – kr.

The project of the film show of the tragedy of AK Tolstoy "Tsar Feodor Ioannovich".

Can one movie change public consciousness.

Cinematography as one of the means of uniting the nation.

A fragment of the film "The Verdict" (1994, directed by VN Shilovsky).

A story about working on a film in America.

Answers to questions from viewers.

Filming a dance number in a Parisian music hall.

Dancers on the stage of a music hall.

Film director Eddie Polo during the filming of a movie about a circus in 1918 in the USA. Filming of extras passing by, E. Polo standing by a van, a cameraman filming.

The cameraman turns the crank of the camera.

The issue is dedicated to the actor and director Mikhail Kozakov.

In his study of a bright, sharp, talented and unlike the other person with a difficult character, with a subtle professional flair and conserving an incredibly sober outlook on life, Vitaliy Vulf covers practically all the years of Mikhail Mikhailovich's creative work, from the earliest performances and films before moving to Israel and creating the theater "Russian Entreprise Mikhail Kozakov."

The program uses excerpts from feature films "Murder on Dante Street" (1956, directed by MI Romm), "Ordinary History" (1970, directed by G.V. Volchek), "The Shot" (1966, directed by NA Kovarsky), "Handsome Man" (1978, directed by MI Mikaelyan), "The Pokrovsky Gates" (1982, directed by Mikhail Kozakov), "The Nameless Star" ( 1978, director MMKozakov), "Hello, I'm your aunt!" (1975, directed by VA Titov).

The main topic of the meeting is the All-Russian protest action on October 7, organized by communists and trade unions, directed against the policy of Russian President Boris Yeltsin.

Should this idea be taken seriously?

Is the threat of revolt looming over the country again?

How do most ordinary citizens plan to spend this day?

With an assessment of the current situation in Russia and with arguments about what needs to be done in order to radically change the political and economic situation in the state, without allowing another senseless bloodshed, the actor and director Nikita Mikhalkov speaks.

The program includes data from opinion polls on the streets of the capital and fragments of the new film by N. S. Mikhalkov "The Siberian Barber".

Pskov suburb Viktor Bychkov talks about the filming of the movie directed by D. Meskhiev. "American".

"Passion for Andrew," 1965.

The release of the program is dedicated to the history of creating a masterpiece by Andrei Tarkovsky - the film "Andrei Rublev."

The difficult fate of the picture and its author, the search for performers of the main roles, the endless nitpicking of officials from the cinema - about this and about many other things in the studio Actors Nikolai Burlyaev, Margarita Terekhova, Yuri Nazarov, director of the film Tamara Ogorodnikova, editor-in-chief of the Mosfilm studio in 1965 Alexander Rekemchuk recall the actors.

The closed premiere of the film took place in 1967 and caused mixed feelings among the Goskino leadership of the USSR.

The filmmakers were accused of propaganda of violence and cruelty, the film was remounted, reduced, eventually shelved and threatened to be destroyed.

The limited hire "Andrey Rublev" saw in 1971, and the real premiere of the restored film took place only in 1987. However, this picture Was sent to the International Cannes Film Festival in 1969 and received a special prize there (the film was shown outside the competition), it is to this day Is among the ten best national films in Russia, it is her many authoritative foreign critics who are among the ten best movies in the history of cinema.

The program included fragments of the film and working moments of filming, an anti-religious plot of the 1960s, an excerpt of the documentary "Three Andrews" (1966, director DM Musautov) and an interview with the actor and director Vasily Livanov, who presented AA Tarkovsky and A. Konchalovsky with the initial idea.

Photos of Nikita Mikhalkov's ancestors.

Photo of Nikita Mikhalkov with his children.

Photos of Mikhalkov's daughter Nadya and granddaughter Sasha.

Fragment of the movie "I Walk the Streets of Moscow".